Please use this identifier to cite or link to this item: https://ri.unsam.edu.ar/handle/123456789/2312
Title: Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting
Authors: Gottschaller, Pia 
Keywords: NEUROSCIENCE;NEUROCIENCIA;SELF-ADHESIVE TAPE;CINTA AUTOADHESIVA
Issue Date: Nov-2017
Publisher: Universidad Nacional de San Martín. UNSAM Edita
Source: Gottschaller, Pia (2017). “Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting”,TAREA, 4 (4), pp. 34-58.
Series/Report no.: Anuario TAREA : Arte contemporáneo (noviembre 2017), 4(4).
Abstract: 
La primera parte de este ensayo discute descubrimientos neurobiológicos recientes en el ámbito de la percepción de la línea y el color a medida que se manifiestan como reacciones de nuestro cerebro visual ante estímulos del arte visual. Subsecuentemente, explica el diseño y los hallazgos de un test psicofísico, que se llevó a cabo con el objetivo de obtener conocimiento sobre si aquellos denominados expertos y no expertos son igualmente capaces de distinguir líneas rectas en pinturas, creadas a mano o con el uso de cinta adhesiva. La segunda parte del ensayo se concentra en las adaptaciones particularmente creativas de la cinta adhesiva en el trabajo de algunos pintores contemporáneos selectos: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize y David Reed.

The first part of this essay discusses recent neurobiological discoveries in the realm of line and color perception as they manifest as reactions of our visual brains to stimuli in visual art. It subsequently explains the design and findings of a psychophysical test, which was conducted with the aim of gaining insight into whether so-called experts and non-experts are equally capable of distinguishing straight lines in paintings, created freehand or with the use of self-adhesive tape. The second part of the essay focuses on the particularly creative adaptations of self-adhesive tape in the work of select contemporary painters: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize, and David Reed
Description: 
Artículo de anuario
URI: http://ri.unsam.edu.ar/handle/123456789/2312
ISSN: 2469-0422
Rights: info:eu-repo/semantics/openAccess
Appears in Collections:Núm. 4 (2017)

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